As a collaborative copyleft experiment, DOOD subverted the traditional notion of a work of art as having a single author or ownership by featuring the shared contributions of over thirty-two key artists with countless more participating on spot.
Curator, Organizer
DOOD formed the basis of Carrie’s understanding of audience development tactics as she moved into transmedia and participatory fiction. You can download her recent powerpoint presentation and lecture that shows how this experience foregrounded her understanding of shared storyworld facilitation.
Contributor: Ask A Raging Feminist: What Is Your Theme Song?
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